Reviews:
Doing exactly what it says on the tin, this compilation
starts magnificently with a quintessential slice of garage snarl as
The Modds rip through Leave My House, a track filled with nasty overdriven
guitar and venomous vocals. With a more commercial feel, well less fuzz
anyway, The Electric Sunshine were 9 years old when they formed and
recorded, fair play to them as it is a decent effort albeit derivative.
Despite sounding like Steppenwolf, The Tuesday Blues display some fine
musicianship on the wonderfully arranged Have You Ever Loved Somebody,
whilst have a excellent sound one a brace of psych songs, with Sky Flight
being the pick of the two. Another fine brace of songs is presented
by The Coachmen, whose Byrdsian jangle has a commercial edge, backed
by some fine vocals. The band have even re-united recently for some
40th anniversary shows, the original songs being recorded in 1966. It
always amazes me that compilation such as this, that rely on a small
(relatively) geographical area for their material, can find enough decent
quality material for such a collection, and while the quality may dip
slightly in places, this cd contains some real killers spread across
its 24 tracks, including the excellent psych (ish) version of the soul
classic Ninety Nine and a Half, recorded by Scorpio, and featuring some
lovely Hammond organ. Those of you with a love of the West-Coast sound
will enjoy, the swirling psych of Stonehenge, whose Try to Help Each
Other comes complete with eco-aware lyrics and a moody guitar riff.
A similar, psych swirl is provided by The Purple Canteen, a band who
owned a foot operated lightshow and rehearsed in a canteen painted purple
and whose If You Like It That Way contains some fine fuzzed up guitar
work. Offering a trio of strong songs, Woo Too Country Band, Feature
powerful female vocals courtesy of Susan Gent, whilst the rest of the
band display some maturity in their playing, fine arrangements and subtly,
all this and a garage cover of What a Friend We Have In Jesus, what
more could you want With honourable mentions going to L.D. Mitchell
& the Amalgamated Taxi Cab Service, for their moody anti-draft song
Roses Roses, as well as the funky/slowburning album closer It Could
make You Know the Truth- Jimmy Roberts, a song with piano and trombones
included, giving it a completely different feel, this compilation is
one that you will return you more than once, bring on volume three.
(Simon Lewis) --Terrascope Online
This is another second shot, but rather than being a
separate album by the same artist, it is instead a further compilation
of old recordings by bands from the old days, i.e. the Sixties and thereabouts.
One can definitely discern the British invasion influences on these
bands (and the pieces are a great deal of fun to listen to and to cogitate
on, e.g. there is one track that is so very Buddy Holly, by whom the
Brit bands were heavily influenced). They are mostly from Arkansas,
but there are a couple of Missouri bands in the mix as well. The liner
notes give a lot of information on the groups and where they recorded
and even in some cases how they went on to reform as different bands;
in fact, it is almost as much fun to read them as it is to listen to
the music. The is an instrumental track featuring Jonesboro native Gary
Baker, who invented his own instruments and was obviously influenced
by jazz organist Jimmy Smith. This is a classic blast from the past
and should be in the collection of any follower of music history or
fan of music from what we could call a gentler era and, while most of
the cuts are dated, there are some that will remind you of bands playing
today. The more things change, the more they stay the same? Go to psychofthesouth.com
for more data.
Nightflying Magazine
Who knew so much quality fuzz came out of Arkansas in
the late ‘60s? Lost Souls is a series dedicated to archiving psych
and garage singles from the Deep South. Volume Two comes on as strong
as the first one. The Modds “Leave My House” is a Teenage
Shutdown quality rocker and the range of music stretches to bass-heavy
psych. Loads of good stuff from early Arkansas. In the arena of regional
archives, this crosses the border. There is a lot of variety here and
you don’t have to be from Arkansas to dig it. –Billups
Allen - Razorcake Magazine
Clearly, this is part of a worthy and ongoing local history
project to trace and document the garage and psychedelic music of Arkansas
in the 1960s.
Listening from the inside, this is something to be proud of, coming
as the music does, from unreleased reel to reel tapes in private collections.
From a wider perspective however, it does not, to my ears at least,
maintain the same consistency of its predecessor. Its strength lays
in the first 12 tracks. The Models’ ‘Leave My House’
is a garage cruncher and there’s soulful and acid fuzz in tracks
by The Dust, The Right Track and Saturday’s Children. Much of
the second half though, is punctuated by indifferent mid-paced instrumentals
and so-so melodies.
There’s a period warmth and glow about it as a package though
which helps make it more than the sum of its parts. - Paul
Martin - Shindig Magazine
Volume 2 of Lost Souls from Psych Of The South This is
a great collection once again. It think I may even dig it more than
volume 1. Starts out with the nicely fuzz-infused punk attitude from
The Modds with “Leave My House.” Proves that punk started
back in the 60’s once again Lots of jangly tunes here, and like
the 1st volume, the years span 1965-1971. “Sadies Ways”
by the Esquires is a great tune, the guitar work is manic, jangly and
just… great Plus, the guy has a killer scream “Sky Flight”
by Dust is great, it goes from melodic parts to some manic fuzzed-out
riffage, bounces around in your brain creating a nice contrast of clean,
then bzzzzzz….. Stonehenges “Try And Help Each Other”
delivers a sort of environmental message, “instead of putting
ships into space, spend our money on a pollution race. Fight for the
right to breathe clean air, I don’t give a damn what’s out
there.” They also go along to talk about the end of the world…
very prophetic song, they were pretty right on with their message, maybe
the greed-driven politicians should have listened to the message of
Stonehenge This is a great collection of garage rock here. Psych Of
The South has done the ground work, knocked on doors and contacted the
folks who made this great music of days gone by, they’ve salvaged
what may have been lost forever had they not had the passion and love
for the music to give it the recognition it deserves. Once again, the
cd features nice extensive liner notes with history on the bands within.
Worth a spot on the shelf for sure
Psych Trail Mix magazine Issue 5
The Lost Souls series continues with a second volume of
rare and previously unreleased ‘60s era tracks, most originating
from the state of Arkansas. This new 24-song set is anchored by a pair
of previously reissued killers, the Modds’ primitive snarler “Leave
My House” (Pebbles Vol. 11, Teenage Shutdown #13) and the Esquires’
rockin’ “Sadie’s Ways” (Hipsville #2, Journey
to Tyme, and others). Most everything else, though, is making its first
appearnce anywhere, having been drawn from a cache of never-released
studio master tapes. Among the best of these discoveries are Saturday’s
Children’s swingin’ “Your Loving Ways” and a
pair of melodic garage numbers by the Coachmen, “Two New Girls”
and “Lovelight.” Also, the Tuesday Blues (featured in UT#28)
weigh in with a splendid, nearly unrecognizable garage-psych arrangement
of the Hollies’ “Have You Ever Loved Somebody,” Dust
impress with a pair of fuzzed-out psych cuts, “Through a Silk
Keyhole” and “Sky Flight,” and the St. James Group
blow the doors off the joint with a storming Hammond-stoked mover, “Riverland
Blues,” the latter presented in swirling stereodelic sound. Another
standout comes from Purple Canteen, with the wonderfully moody backing
track of “If You Like It That Way.” The CD dribbles into
dreariness about two-thirds of the way though, but with a dozen or more
excellent tracks up front, and an info and photo-packed booklet inside,
Lost Souls Volume 2 is still well worth its modest asking price.
Mike Stax - Ugly Things #30, Summer 2010